Editing 941: Depth Perception

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This technique doesn't give him the view as if he were a giant as in the final panel, but rather as if he were a giant "at the bottom of an abyss" as per the second-last panel, as the clouds are higher than the goalposts on which the cameras are mounted. The final panel is some artistic license to give the reader a real sense of what it feels like for Cueball to carry this out; it shows us that he has finally achieved a more truthful perspective on the size and shapes of the clouds than he had when he started.
 
This technique doesn't give him the view as if he were a giant as in the final panel, but rather as if he were a giant "at the bottom of an abyss" as per the second-last panel, as the clouds are higher than the goalposts on which the cameras are mounted. The final panel is some artistic license to give the reader a real sense of what it feels like for Cueball to carry this out; it shows us that he has finally achieved a more truthful perspective on the size and shapes of the clouds than he had when he started.
  
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The reason for the reversal of the "right camera" and "left camera" panes on the smartphone screen is unclear, this is likely just a mistake.
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The reason for the reversal of the "right camera" and "left camera" panes on the smartphone screen is unclear, this is likely just to be a mistake.
  
 
The title text is a line from the 1969 song "{{w|Both Sides Now}}" by Joni Mitchell; the full chorus runs: "I've looked at clouds from both sides now / From up and down and still somehow / It's cloud illusions I recall / I really don't know clouds at all." Binocular depth perception involves seeing the same object from slightly different angles, from 'both sides', so Randall is taking the song lyric and literalizing it. The song itself has a bittersweet tone and relates to how you understand things differently as you mature, but still don't necessarily feel like you understand them at all, so the tone also fits pretty unironically into the theme of the comic.
 
The title text is a line from the 1969 song "{{w|Both Sides Now}}" by Joni Mitchell; the full chorus runs: "I've looked at clouds from both sides now / From up and down and still somehow / It's cloud illusions I recall / I really don't know clouds at all." Binocular depth perception involves seeing the same object from slightly different angles, from 'both sides', so Randall is taking the song lyric and literalizing it. The song itself has a bittersweet tone and relates to how you understand things differently as you mature, but still don't necessarily feel like you understand them at all, so the tone also fits pretty unironically into the theme of the comic.

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