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The first is about ''{{w|Firefly (TV Series)|Firefly}}'', the TV series created by {{w|Joss Whedon}} and canceled by {{w|FOX}}, due to poor ratings performance, after {{tvtropes|OutOfOrder|airing the first 13 episodes out-of-order}}. In ''Firefly'', the main languages spoken are English and Chinese (supposedly in equal measure), because China was the only other world power besides America to go to space (Joss Whedon's own explanation on the DVDs). However, there are {{tvtropes|HumansAreWhite|very few actual Asians}} on-screen. | The first is about ''{{w|Firefly (TV Series)|Firefly}}'', the TV series created by {{w|Joss Whedon}} and canceled by {{w|FOX}}, due to poor ratings performance, after {{tvtropes|OutOfOrder|airing the first 13 episodes out-of-order}}. In ''Firefly'', the main languages spoken are English and Chinese (supposedly in equal measure), because China was the only other world power besides America to go to space (Joss Whedon's own explanation on the DVDs). However, there are {{tvtropes|HumansAreWhite|very few actual Asians}} on-screen. | ||
| β | The second is about two different keyboard layouts, QWERTY and Dvorak. Early {{w|typewriter}}s used to jam easily if two nearby keys were struck at about the same time. To work around this, the {{w|QWERTY}} layout, named after the first six letters on its keys, scattered common letter combinations around the keyboard, thus greatly avoiding the problem. (A common myth states that this was done to slow typists down; it was the opposite | + | The second is about two different keyboard layouts, QWERTY and Dvorak. Early {{w|typewriter}}s used to jam easily if two nearby keys were struck at about the same time. To work around this, the {{w|QWERTY}} layout, named after the first six letters on its keys, scattered common letter combinations around the keyboard, thus greatly avoiding the problem. (A common myth states that this was done to slow typists down; it was the opposite) Later typewriter mechanisms were less prone to jamming, which prompted a few people to try to create alternative layouts, such as {{w|Blickensderfer typewriter|Blickensderfer's DHIATENSOR layout}} in 1892, or the {{w|Dvorak Simplified Keyboard}} in 1932. Such layouts never really caught on; by then, typists were all very used to the QWERTY layout, and were unwilling to take the time and effort to learn a new one. |
In the Dvorak layout, {{w|August Dvorak}} placed the most frequently used keys at the most easily accessible places; Dvorak's advocates claim this reduces typing effort and repetitive strain (as mentioned in the title text) while increasing typing speed and accuracy. However, rigorous, unbiased studies have yet to clearly show significant superiority. (As the title text mentions, the most commonly cited study in Dvorak's favor was overseen by Dvorak himself during his US Navy service in World War II.) | In the Dvorak layout, {{w|August Dvorak}} placed the most frequently used keys at the most easily accessible places; Dvorak's advocates claim this reduces typing effort and repetitive strain (as mentioned in the title text) while increasing typing speed and accuracy. However, rigorous, unbiased studies have yet to clearly show significant superiority. (As the title text mentions, the most commonly cited study in Dvorak's favor was overseen by Dvorak himself during his US Navy service in World War II.) | ||
