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{{w|Aspect ratio}} is the relationship between the width and height of an image (and in this case, a video) and is denoted in a ratio of <width>:<height> - usually either in lowest common denominator, or with a decimal width to a height of "1". Up until the 1990s, all televisions and most computer monitors (CRT tube and LCD) were in the standard 4:3 aspect ratio, called "fullscreen" (meaning the width is 4/3 or 1.33... times the height). When HDTV was developed, the standard for television screens changed to 16:9 (width being 16/9 or 1.77... times the height), called "widescreen" (although widescreen can also refer to a number of even wider ratios used in feature films). Computer monitors are now available in widescreen ratios, though fullscreen remains common as well.
 
{{w|Aspect ratio}} is the relationship between the width and height of an image (and in this case, a video) and is denoted in a ratio of <width>:<height> - usually either in lowest common denominator, or with a decimal width to a height of "1". Up until the 1990s, all televisions and most computer monitors (CRT tube and LCD) were in the standard 4:3 aspect ratio, called "fullscreen" (meaning the width is 4/3 or 1.33... times the height). When HDTV was developed, the standard for television screens changed to 16:9 (width being 16/9 or 1.77... times the height), called "widescreen" (although widescreen can also refer to a number of even wider ratios used in feature films). Computer monitors are now available in widescreen ratios, though fullscreen remains common as well.
  
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Letterboxing is a process whereby an image which does not fully fill a screen is expanded to fill the screen by the addition of further material (mattes). Usually this is done with the addition of black bars in the empty space. One example of why this was necessary was widescreen films on VHS cassette. VHS could only record and play back 4:3 images. Thus, in order to display a widescreen film, the rest of the VHS's 4:3 image had to be filled with horizontal black bars at the top and bottom of the image. Those bars were part of the video information recorded on the cassette.
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Letterboxing is a process whereby an image which does not fully fill a screen is expanded to fill the screen by the addition of further material (mattews). Usually this is done with the addition of black bars in the empty space. One example of why this was necessary was widescreen films on VHS cassette. VHS could only record and play back 4:3 images. Thus, in order to display a widescreen film, the rest of the VHS's 4:3 image had to be filled with horizontal black bars at the top and bottom of the image. Those bars were part of the video information recorded on the cassette.
  
 
When DVDs were introduced, many DVDs also had letterbox bars on the DVD's full screen image. With the increased popularity of widescreen televisions, DVD players were improved to offer {{w|anamorphic widescreen}}, in which the full widescreen image is horizontally rescaled (shrunk) into a 4:3 size, which the player then was able to display stretched horizontally back to the proper widescreen aspect.
 
When DVDs were introduced, many DVDs also had letterbox bars on the DVD's full screen image. With the increased popularity of widescreen televisions, DVD players were improved to offer {{w|anamorphic widescreen}}, in which the full widescreen image is horizontally rescaled (shrunk) into a 4:3 size, which the player then was able to display stretched horizontally back to the proper widescreen aspect.
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With the advent of Blu-ray, video is generally encoded in whatever its proper aspect ratio is intended to be, and the player itself is left to appropriately matte the image.
 
With the advent of Blu-ray, video is generally encoded in whatever its proper aspect ratio is intended to be, and the player itself is left to appropriately matte the image.
  
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The problem with letterboxed video (such as a 16:9 video letterboxed for 4:3) is that if one tries to watch the video on a 16:9 widescreen, where the image ''should'' fill the whole screen, instead the 4:3 letterboxed image fills part of the screen with further vertical mattes on the left and right of the image, thus producing an image much smaller than it needs to be, with mattes on all four sides. Some TVs or media players can zoom to help resolve the issue, although the video resolution usually suffers. By encoding only the video itself and allowing the player to do the matting, the video can be seen as large as possible on any given screen.
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The problem with letterboxed video (such as a 16:9 video letterboxed for 4:3) is that if one tries to watch the video on a 16:9 widescreen, where the image ''should'' fill the whole screen, instead the 4:3 letterboxed image fills part of the screen with further vertical mattes on the left and right of the image, thus producing an image with mattes on all four sizes which is much smaller than it needs to be. Some TVs or media players can zoom to help resolve the issue, although the video resolution usually suffers. By encoding only the video itself and allowing the player to do the matting, the video can be seen as large as possible on any given screen.
  
 
In this comic, Randall appears to be complaining about the issue of widescreen videos which have been rescaled to 4:3 by "squashing" the video horizontally to make it narrower, and in the process causing everything to appear thinner/taller than it really is, causing an unpleasant experience. This is akin to crushing a car to the 3:4 ratio while putting black bars on both sides, which Randall uses as {{tvtropes|DisproportionateRetribution|disproportionate retribution}}.
 
In this comic, Randall appears to be complaining about the issue of widescreen videos which have been rescaled to 4:3 by "squashing" the video horizontally to make it narrower, and in the process causing everything to appear thinner/taller than it really is, causing an unpleasant experience. This is akin to crushing a car to the 3:4 ratio while putting black bars on both sides, which Randall uses as {{tvtropes|DisproportionateRetribution|disproportionate retribution}}.

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