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|Why do dying people reach up?|| In many works of fiction dying people are regarded with an outstretched arm, grasping for unseen objects towards the sky. In all likelihood this originates in the idea of heaven as the place where (good) people go after death. People "reach for the light" which is seen when dying according to similar beliefs or possibly for already dead relatives or other associated people waiting for them. An alternative hypothesis is that they want to hug/touch their loved ones one last time.
 
|Why do dying people reach up?|| In many works of fiction dying people are regarded with an outstretched arm, grasping for unseen objects towards the sky. In all likelihood this originates in the idea of heaven as the place where (good) people go after death. People "reach for the light" which is seen when dying according to similar beliefs or possibly for already dead relatives or other associated people waiting for them. An alternative hypothesis is that they want to hug/touch their loved ones one last time.
 
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|Why aren't there varicose arteries?||Blood moves through veins due to irregular pressure from skeletal muscles combined with valves to control direction. In varicose veins these valves malfunction affecting blood flow. In arteries blood flow is produced directly from pressure caused by the heart.
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|Why aren't there varicose arteries?||
 
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|Why are old Klingons different?|| {{w|Klingon Redesign|From Wikipedia}}: <blockquote>For {{w|Star Trek: The Motion Picture}} (1979), the Klingons were retconned, and their appearance and behavior radically changed. To give the aliens a more sophisticated and threatening demeanor, the Klingons were depicted with ridged foreheads, snagged and prominent teeth, and a defined language and alphabet. Lee Cole, a production designer, used red gels and primitive shapes in the design of Klingon consoles and ship interiors, which took on a dark and moody atmosphere. The alphabet was designed as angular, with sharp edges harkening to the Klingon's militaristic focus.[5] Costume designer Robert Fletcher created new uniforms for the Klingons, reminiscent of feudal Japanese armor.</blockquote>
 
|Why are old Klingons different?|| {{w|Klingon Redesign|From Wikipedia}}: <blockquote>For {{w|Star Trek: The Motion Picture}} (1979), the Klingons were retconned, and their appearance and behavior radically changed. To give the aliens a more sophisticated and threatening demeanor, the Klingons were depicted with ridged foreheads, snagged and prominent teeth, and a defined language and alphabet. Lee Cole, a production designer, used red gels and primitive shapes in the design of Klingon consoles and ship interiors, which took on a dark and moody atmosphere. The alphabet was designed as angular, with sharp edges harkening to the Klingon's militaristic focus.[5] Costume designer Robert Fletcher created new uniforms for the Klingons, reminiscent of feudal Japanese armor.</blockquote>

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