Editing 175: Automatic Doors

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==Explanation==
 
==Explanation==
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[[Cueball]] has an uneasy suspicion that the automatic doors may have feelings, possibly due to their apparent sentience. This assigning of human characteristics to non-human things such as the doors is called {{w|anthropomorphism}}. Cueball extends the premise that the doors have feelings to those feelings being hurt by his not entering the opened doors. This is analogous to the social faux pas of ignoring someone who has waved to you, or purposefully failing to acknowledge someone who is trying to get your attention.
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[[Cueball]] has an uneasy suspiction that the automatic doors may have feelings, possibly due to their apparent sentience. This assigning of human characteristics to non-human things such as the doors is called {{w|anthropomorphism}}. Cueball extends the premise that the doors have feelings to those feelings being hurt by his not entering the opened doors. This is analogous to the social faux pas of ignoring someone who has waved to you, or purposefully failing to acknowledge someone who is trying to get your attention.
  
 
The anthropomorphized doors are much like those in the starship Heart of Gold in Douglas Adams' ''{{w|Hitchhiker's Guide to the Galaxy}}''. In the story, the characters find a brochure describing the ship, which states that "All the doors in this spaceship have a cheerful and sunny disposition. It is their pleasure to open for you, and their satisfaction to close again with the knowledge of a job well done." Such doors would not be given the "satisfaction" of the "knowledge of a job well done" if the figure passes close enough to trigger the doors, but does not actually go through them.
 
The anthropomorphized doors are much like those in the starship Heart of Gold in Douglas Adams' ''{{w|Hitchhiker's Guide to the Galaxy}}''. In the story, the characters find a brochure describing the ship, which states that "All the doors in this spaceship have a cheerful and sunny disposition. It is their pleasure to open for you, and their satisfaction to close again with the knowledge of a job well done." Such doors would not be given the "satisfaction" of the "knowledge of a job well done" if the figure passes close enough to trigger the doors, but does not actually go through them.

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