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''Will teens use [ ] for sex? Yes. Were they going to have sex anyway? Yes.'' The first question is usually raised in a way that's either salacious or fear-mongering, but the second puts it into context. Most teens have sex at some point, and many have active sex lives, which has been true pretty much throughout history. This is upsetting to many adults, but is more or less unavoidable. When new technologies become commonplace, it's almost inevitable that it will become involved in sex somehow. This can be presented as the technology encourages sexual immorality, but there's little reason to believe that new technologies makes it more likely that young people will have sex. | ''Will teens use [ ] for sex? Yes. Were they going to have sex anyway? Yes.'' The first question is usually raised in a way that's either salacious or fear-mongering, but the second puts it into context. Most teens have sex at some point, and many have active sex lives, which has been true pretty much throughout history. This is upsetting to many adults, but is more or less unavoidable. When new technologies become commonplace, it's almost inevitable that it will become involved in sex somehow. This can be presented as the technology encourages sexual immorality, but there's little reason to believe that new technologies makes it more likely that young people will have sex. | ||
| − | ''Will [ ] destroy music/art? No.'' Every new technology for reproducing musical and artistic works (such as [https://www.eff.org/deeplinks/2004/03/wicked-player-piano player pianos] and [http://www.forbes.com/sites/joshbarro/2012/01/18/thirty-years-before-sopa-mpaa-feared-the-vcr/ video cassette recorders]) has been accompanied by warnings that it will destroy the industry that supplies it content. While | + | ''Will [ ] destroy music/art? No.'' Every new technology for reproducing musical and artistic works (such as [https://www.eff.org/deeplinks/2004/03/wicked-player-piano player pianos] and [http://www.forbes.com/sites/joshbarro/2012/01/18/thirty-years-before-sopa-mpaa-feared-the-vcr/ video cassette recorders]) has been accompanied by warnings that it will destroy the industry that supplies it content. While is is likely that industries built around art will be disrupted (see above), the nature of music and art are so fundamental to human beings that it's certain they'll survive, even if the business models around them change. |
''But can't we go back to a time when— No.'' Elderly people frequently {{tvtropes|WhenIWasYourAge|express their disapproval}} of modern culture and lifestyle, and of the technology that drives them. These judgments may reflect valid concerns about damaging trends, or they may merely reflect nostalgia and a bias against a world they no longer understand. In either case, it's implausible that society will simply decide to reverse technological or cultural trends. For better or worse, they're here to stay. | ''But can't we go back to a time when— No.'' Elderly people frequently {{tvtropes|WhenIWasYourAge|express their disapproval}} of modern culture and lifestyle, and of the technology that drives them. These judgments may reflect valid concerns about damaging trends, or they may merely reflect nostalgia and a bias against a world they no longer understand. In either case, it's implausible that society will simply decide to reverse technological or cultural trends. For better or worse, they're here to stay. | ||
