Editing 1589: Frankenstein

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[[Randall]] apparently finds this argument tedious and pedantic, so he has created his own work of fiction, in which the monster is named Frankenstein. He rationalizes that it is now correct to call the monster Frankenstein, assuming that his comic strip is as authoritative as the original novel. "{{w|Canon (fiction)|Canonical}}" (rule, standard) means that this comic should be used as the authoritative work on the naming of the monster.  
 
[[Randall]] apparently finds this argument tedious and pedantic, so he has created his own work of fiction, in which the monster is named Frankenstein. He rationalizes that it is now correct to call the monster Frankenstein, assuming that his comic strip is as authoritative as the original novel. "{{w|Canon (fiction)|Canonical}}" (rule, standard) means that this comic should be used as the authoritative work on the naming of the monster.  
  
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However, xkcd's ''Frankenstein'' would be unlikely to be accepted by anyone as canonical, except for its stated purpose of settling the naming argument. The original version of any story is usually assumed to be the canonical one, and any derivative work would have to have widespread influence and recognition to supplant it in the popular imagination. This is not likely to happen with xkcd's ''Frankenstein,'' as it makes almost no effort to stand on its own; it exists only to be a version of ''Frankenstein'' where the monster is named "Frankenstein." It emphasizes this point several times, and ends within a single panel, having accomplished its only goal. Almost no readers would find this version entertaining or substantive enough to displace Mary Shelley's original as the definitive version of the story.
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However, xkcd's ''Frankenstein''' would be unlikely to be accepted by anyone as canonical, except for its stated purpose of settling the naming argument. The original version of any story is usually assumed to be the canonical one, and any derivative work would have to have widespread influence and recognition to supplant it in the popular imagination. This is not likely to happen with xkcd's ''Frankenstein,'' as it makes almost no effort to stand on its own; it exists only to be a version of ''Frankenstein'' where the monster is named "Frankenstein." It emphasizes this point several times, and ends within a single panel, having accomplished its only goal. Almost no readers would find this version entertaining or substantive enough to displace Mary Shelley's original as the definitive version of the story.
  
 
The {{w|Public_domain|copyright}} on Mary Shelley's novel has expired long ago, before the moon landings (which began in 1969), so it is perfectly legal to create works derived from the original story. It should be noted, however, that Universal holds the copyright on the common [https://www.plagiarismtoday.com/2011/10/24/how-universal-re-copyrighted-frankensteins-monster/ image of the monster] (green skin, flat-top head, scar, bolts on the neck and protruding forehead). To qualify as a {{w|derivative work}} the story needs to be substantially different from the original. The monster believing in {{w|moon landing conspiracy theories}} would probably qualify, but may reference retellings of the tale where a damaged or deranged brain was used (as an alternate 'explanation' why the supposedly perfect creation inevitably runs amok). Additionally, the original Frankenstein's monster was seen by its creator as hideous and repulsive due to its physical appearance despite the project being a success. Randall makes the same correlation in his version by having Frankenstein claim the moon landings were faked, which produces the same feelings in The Doctor.
 
The {{w|Public_domain|copyright}} on Mary Shelley's novel has expired long ago, before the moon landings (which began in 1969), so it is perfectly legal to create works derived from the original story. It should be noted, however, that Universal holds the copyright on the common [https://www.plagiarismtoday.com/2011/10/24/how-universal-re-copyrighted-frankensteins-monster/ image of the monster] (green skin, flat-top head, scar, bolts on the neck and protruding forehead). To qualify as a {{w|derivative work}} the story needs to be substantially different from the original. The monster believing in {{w|moon landing conspiracy theories}} would probably qualify, but may reference retellings of the tale where a damaged or deranged brain was used (as an alternate 'explanation' why the supposedly perfect creation inevitably runs amok). Additionally, the original Frankenstein's monster was seen by its creator as hideous and repulsive due to its physical appearance despite the project being a success. Randall makes the same correlation in his version by having Frankenstein claim the moon landings were faked, which produces the same feelings in The Doctor.

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