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Both gags in this comic work by playing on our expectations. The first is an unexpected moment of realism: we are so used to seeing Black Hat cool and untroubled that we are surprised at the reminder that everyone's appearance is, to some extent, a facade. Black Hat is still human. (The comic [[455: Hats]] is related to this one, as it is also about black hats and how the usually all powerful Black Hat becomes the smaller one, in this case in tallness of hat towers.)
 
Both gags in this comic work by playing on our expectations. The first is an unexpected moment of realism: we are so used to seeing Black Hat cool and untroubled that we are surprised at the reminder that everyone's appearance is, to some extent, a facade. Black Hat is still human. (The comic [[455: Hats]] is related to this one, as it is also about black hats and how the usually all powerful Black Hat becomes the smaller one, in this case in tallness of hat towers.)
  
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Another interpretation of this comic is that it is Black hat's backstory, implying that it is set in [[792|March 1997]], but this is unlikely given that we see him as a [[72|classhole]] still when he was just a child in [[1139: Rubber and Glue]] and [[1753: Thumb War]].
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Another interpretation of this comic is that it is Black hat's backstory, implying that it is set in [[792|march 1997]], but this is unlikely given that we see him as a [[72|classhole]] still when he was just a child in [[1139: Rubber and Glue]] and [[1753: Thumb War]].
  
 
The second gag, on the other hand, is the opposite: we are so used to understanding the stick figures (and specifically the established character that is Black Hat) as representing regular humans, albeit ones with larger-than-life personalities, that we're caught by surprise to see Black Hat so thoroughly defy realism in a fashion not unlike what one could find in a Tex Avery-type cartoon. Among the further interpretations of the gag, one could see:
 
The second gag, on the other hand, is the opposite: we are so used to understanding the stick figures (and specifically the established character that is Black Hat) as representing regular humans, albeit ones with larger-than-life personalities, that we're caught by surprise to see Black Hat so thoroughly defy realism in a fashion not unlike what one could find in a Tex Avery-type cartoon. Among the further interpretations of the gag, one could see:

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