Editing Talk:2650: Deepfakes

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::Everyone{{Citation needed}} is familiar with giveaway artefacts (such as "not-off-by-8" JPG copypasta, shadow hue discrepancies, general stippling mismatches between sources) and so they do very simple things to just not exhibit such things. Such as take/use the highest resolution images, edit them accordingly (with carefully chosen off-source imagery, chosen for similar/adjustable shadows/colour-spread/etc) and then save them ('new', with any EXIF intact/changed as necessary) at an acceptibly lower resolution so that any edge-case pixels they didn't quite get right get smoothed out amongst all the others.
 
::Everyone{{Citation needed}} is familiar with giveaway artefacts (such as "not-off-by-8" JPG copypasta, shadow hue discrepancies, general stippling mismatches between sources) and so they do very simple things to just not exhibit such things. Such as take/use the highest resolution images, edit them accordingly (with carefully chosen off-source imagery, chosen for similar/adjustable shadows/colour-spread/etc) and then save them ('new', with any EXIF intact/changed as necessary) at an acceptibly lower resolution so that any edge-case pixels they didn't quite get right get smoothed out amongst all the others.
 
::Heck, I've even suppressed the saturation of a source image slightly to make up for the problems of a pasted-in element being too dull (not being actually artistic myself, I know I can't always as easily up-saturate a new bit to match the colour-warmth properly) in occasional paradoic pieces I've concocted via GIMP (I presume it matches Photoshop for natively available tools, and I rarely need to write my own scripted ones to achieve a blending filter of one sort or another).
 
::Heck, I've even suppressed the saturation of a source image slightly to make up for the problems of a pasted-in element being too dull (not being actually artistic myself, I know I can't always as easily up-saturate a new bit to match the colour-warmth properly) in occasional paradoic pieces I've concocted via GIMP (I presume it matches Photoshop for natively available tools, and I rarely need to write my own scripted ones to achieve a blending filter of one sort or another).
βˆ’
::Like I just hinted at, I consider myself to have zero artistic skill, and nor do I aim to actively deceive, but I have a decent eye for what looks wrong and I have more or less equal access to the tools that can find (e.g.) misaligned .jpg artefact-blocks so that I can avoid/squish those discrepancies. - Someone with actual profficiency in digital art and good mouse(/stylus) coordination can probably dodge/burn/smear or even pixel-by-pixel repaint segments of an image into a far more reasonable facsimile of the intended New Reality, ''and check that they've not left any clear digital fingerprints''.
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::Like I just hinted at, I consider myself to have zero artistic skill, and nor do I aim to actively deveive, but I have a decent eye for what looks wrong and I have more or less equal access to the tools that can find (e.g.) misaligned .jpg artefact-blocks so that I can avoid/squish those discrepancies. - Someone with actual profficiency in digital art and good mouse(/stylus) coordination can probably dodge/burn/smear or even pixel-by-pixel repaint segments of an image into a far more reasonable facsimile of the intended New Reality, ''and check that they've not left any clear digital fingerprints''.
 
::The Cottingly duo just tried to set up a real (but misleading) scene, pointed and shot and had no further recourse to go back into the developed image/negative to suppress any accidentally showing bits of the hairpins. And any actual attempts to do so were as likely to ruin more of the photographic plates than would have been improved, before they got their hand in (at great cost to unreusable materials), whilst I can try a small smudge and ''Undo'' it, with one of more Ctrl-Zs, if it actually does not improve any visual discrepancy...
 
::The Cottingly duo just tried to set up a real (but misleading) scene, pointed and shot and had no further recourse to go back into the developed image/negative to suppress any accidentally showing bits of the hairpins. And any actual attempts to do so were as likely to ruin more of the photographic plates than would have been improved, before they got their hand in (at great cost to unreusable materials), whilst I can try a small smudge and ''Undo'' it, with one of more Ctrl-Zs, if it actually does not improve any visual discrepancy...
 
::Depending upon the actual intent, I can think of many ways that a committed hoaxer (who is familiar with hoax-busting details) can at the very least maintain plausible doubt over any idea of image-manipulation, at least enough to keep those who 'want to believe' unconvinced by any suggestions that something (other than the scene attempted to be depicted) is clearly technically wrong. [[Special:Contributions/141.101.99.242|141.101.99.242]] 09:55, 28 July 2022 (UTC)
 
::Depending upon the actual intent, I can think of many ways that a committed hoaxer (who is familiar with hoax-busting details) can at the very least maintain plausible doubt over any idea of image-manipulation, at least enough to keep those who 'want to believe' unconvinced by any suggestions that something (other than the scene attempted to be depicted) is clearly technically wrong. [[Special:Contributions/141.101.99.242|141.101.99.242]] 09:55, 28 July 2022 (UTC)

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